Album: I Hear Thunder, 2024
List of songs to check out: I Hear Thunder, Why, Why and Bayou Man
Award-winning blues guitarist Tab Benoit is thrilled to announce his new studio album, I Hear Thunder, his first in thirteen years. This eagerly anticipated release, available on Whiskey Bayou Records from August 30th, features ten powerful tracks highlighting Benoit’s unique guitar style and the exceptional songwriting of the Benoit/Osborne team.
The album shines with the brilliance of guitar legend Anders Osborne, whose touch enriches each song. Osborne will join Benoit on the 2024 I Hear Thunder Tour, where they will perform together, supporting each other through their extensive musical catalogs. Additionally, The Meters’ bassist George Porter Jr. guests on three tracks, adding his distinctive groove to the mix.
Benoit’s touring band, including bassist Corey Duplechin and drummer Terence Higgins, also plays a crucial role in the album, solidifying its powerhouse lineup. Fans familiar with Benoit’s live performances will recognize his talent for blending spontaneity with creative songwriting, as evident in his numerous live albums.
After a 13-year creative hiatus, I Hear Thunder marks Benoit’s return with renewed energy. This album’s ten new tracks demonstrate that he’s back in full force, further amplified by his collaboration with Swedish-born, New Orleans-based wunderkind Anders Osborne.
The title track is a fiery testament to Benoit’s signature guitar attack, featuring intense interplay between Benoit and Osborne. “The Ghost of Gatemouth Brown” pays homage to Gatemouth Brown with a bayou stomp and scorching guitar leads. “Still Gray” offers a slow, C&W ballad feel, while “Inner Child” explores themes of lost love with strong drum and bass support.
“Watching the Gators Roll In” is a charming ode to the bayou, showcasing Benoit’s affection for the swamp’s natural sounds. “Overdue” stands out with a slower, gritty blues sound reminiscent of Hendrix or Trower, showcasing Benoit’s swamp-soaked vocals and fiery guitar solos. “Why, Why” reflects on global concerns, and “Little Queenie” features George Porter Jr.’s dynamic bass work.
The album’s most dynamic track, “I’m a Write That Down,” combines punk and funk influences with Benoit and Osborne’s intense guitar chemistry. Finally, “Bayou Man,” co-written with his drummer, closes the album with a rockier edge and a message of bayou-born love.
With its unique blend of styles and standout performances, I Hear Thunder is a powerful comeback from Tab Benoit, proving he’s back and ready to bring the storm. Welcome back, Mr. Benoit—it’s like you never left.
